Royer Labs R-121 Ribbon Microphone with RSM-SS1 Sling-Shock Microphone Shockmount Bundle

R-121

The R-121 is Royer’s flagship microphone – the iconic, radically engineered ribbon mic that put modern ribbons on the map in the 1990s and changed the meaning of “natural sound” for engineers and musicians around the world. The undisputed #1 first-call ribbon microphone for electric guitars, R-121s are equally well suited for trumpets and all brass instruments, drum rooms, percussion, piano, and much more.

The R-121 delivers a warm, extremely natural sound pickup in a compact, light-weight, high-output package that’s easy to position, and it handles massive SPLs famously (160dB @ 1kHz). R-121s are built to use on guitar amps from small combos to wide open high-wattage heads, trumpets from close-up muted to blow-your-hardest blaring, drums, and other high SPL applications. But its nuanced, natural sound pickup is also beautiful on quiet instruments like fingerpicked acoustic guitars, harp, flute, light percussion and others. The R-121 is warm, smooth and musical, giving phenomenal results on a wide variety of instruments .

Patented Offset Ribbon Technology – 2 Mics in One!
The R-121 has a patented offset-ribbon transducer that positions the ribbon element closer to the front (logo) side of the microphone. It’s an integral piece of the magic of all Royer R-series microphones.

This arrangement does two things:

1) The ribbon element has more room to flex rearward and remain in the prime magnetic field when being driven hard, allowing the R-121 to deliver full frequency response on high SPL recordings. This is critical to the R-121s reputation for capturing outstanding electric guitars and brass.

2) When you flip the R-121 around, the signal is actually brighter on the back side of the mic (from 30-inches and closer), giving you two different sound characteristics in one microphone! Try recording acoustic instruments and vocals on the back side of the R-121 – it’s a sweeter sound pickup for softer, quieter applications. We also suggest flipping polarity on your pre or in your DAW when using the back side.

Hand Crafted in the USA

Royer blends cutting-edge technology with old-school construction techniques – think super-precision fits and processes mixed with 100% hand-building care and attention to detail. Every R-121 leaves our Burbank factory ready for a lifetime of active daily use. Tens of thousands of R-121s are on stands every day around the world, in commercial studios, home studios, and on active live stages.

We build the R-121 solidly enough to give it a lifetime warranty. We expect you to own it for as long as you record, and we’ll stand behind it the whole way. If it ever needs a re-ribbon, the first re-ribbon is free.

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RSM-SS1

The Sling-Shock RSM-SS1 is sized to fit Royer’s 1-inch diameter ribbon mics; R-121, R-122 MKll, R-122V and SF-12 ribbon microphones. The RSM-SS1 will work with any cylindrical microphone measuring approximately one inch in diameter (+/- 1/8 inch).

The Sling-Shock™ (Patent No. 8,571,250) is a revolutionary departure from traditional shockmount designs. We’ve done away with unreliable rubberized parts and elastic cords, producing a durable shockmount that provides exceptional isolation from vibration, rumble and resonances. Our proprietary system of non-resonant nylon cable and damped steel springs acts to isolate the microphone from vibrations induced from the microphone stand. These vibrations appear as rumble and/or low-grade noise across the bandwidth and are greatly reduced by use of the Sling-Shock.

Sling-Shocks also eliminate the self-resonance that traditional shockmounts can generate on high SPL applications like close-miked electric guitar. Shockmount self-resonance creates harmonic interferences at various frequencies – Sling-Shocks eliminate the issue. The Sling-Shock’s superior vibration-reduction capabilities and lack of self-resonance allow engineers to capture performances free of vibration-related interference across the bandwidth.

A cable clip is included on each Sling-Shock. Loop a length of cable under the microphone, then secure the cable to the mic clip to minimize cable-related vibrations.

R-121

• High SPL Capabilities
• No internal active electronics to overload or produce distortion up to maximum SPL rating
• Extremely low residual noise
• Ribbon element is not affected by heat or humidity
• Absence of high frequency phase distortion
• Equal sensitivity from front or back of element
• Consistent frequency response regardless of distance

Applications
• Electric Guitar Amps
• Brass Instruments
• Horn Sections
• Drum Rooms
• Kick Drum
• Woodwinds
• Percussion Instruments
• Acoustic Piano
• Acoustic Guitar
• String Instruments & Sections
• Choirs & Orchestras
• Commercial Broadcast

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RSM-SS1

• Superior isolation from vibration, shock and rumble
• Lack of self-resonance on high SPL applications
• Felt-lined, scratch-free microphone chamber holds mic securely
• No rubberized parts to degrade or stretch
• Built in microphone cable clip minimizes cable-related vibration
• Flexible for easy microphone positioning
• Lifetime warranty

• Acoustic Operating Principle: Electrodynamic pressure gradient
• Polar Pattern: Figure-8
• Generating Element: 2.5-micron aluminum ribbon
• Magnets: Rare Earth Neodymium
• Frequency Response: 30 -15,000 Hz +/- 3dB
• Sensitivity: -47 dBv Re. 1v/pa
• Output Impedance: 300 Ohms @ 1K (nominal)
• Rated Load Impedance: >1500 Ohms @ 300 Ohms
• Maximum SPL: >160dB @ 1kHz, >135dB @ 20Hz
• Output Connector: Male XLR 3 pin (Pin 2 Hot)
• Dimensions: 155.7mm L, 25mm W (6.13" L, 1" W)
• Weight: 244g (8.6 oz)
• Finish: Dull Satin Nickel/Matte Black Chrome optional Polar Pattern