Black Lion Audio Revolution 14x16 14-in / 16-out USB-C Audio Interface and Word Clock with ADAT, Auteur Preamps, and Headphone Mixer

The Revolution 14x16 is a class-compliant, 14-in / 16-out USB-C audio interface that delivers sterling Black Lion Audio audio quality, supreme clocking, and a robust suite of monitoring features unheard of in a 1U audio interface. It’s expandable via ADAT for additional I/O; boasts superior connectivity for your external processors; and even includes two channels of Black Lion Audio-designed Auteur preamps. The unique Mix Edit feature lets you create a custom headphone mix for its three crystal-clear headphone amps. Patented Macro-MMC clocking ensures that any hardware you sync to your Revolution 14x16 will sound its absolute best.

Auteur preamps built-in.
Channels 1 and 2 of the Revolution 14x16 proudly feature Black Lion Audio’s Auteur preamps, which until now have only been available in our standalone preamp hardware. Auteur preamps deliver the best of both worlds of classic preamp designs — at lower gain levels, you get the fast attack of American-style preamps; a fantastic compliment for drums and rhythm guitar. Crank up the gain a bit, and you’ll get the warmth and color of classic British preamps, which can be particularly flattering to vocals and bass. You can access the Auteur preamps by connecting to either the front or rear Channel 1/2 inputs.

Auteur preamps are transformer-coupled like classic consoles of yore; Cinemag transformers are responsible for the added harmonic weight and saturation when pushed.

Unrivaled connectivity and expandability.
The Revolution 14x16 plays well with others. You get four mic/instrument preamps; channels 1 and 2 can be accessed from either the front or back of the unit. You also get 4 switchable insert/returns for connection to external hardware processors; you can A/B your signal at the touch of a button. The Return connections double as Line inputs for keyboards, synths, and other line-level devices. You can even use the Revolution 14x16 as a standalone mic preamp with no computer connection, thanks to the Insert/Return connections.

A secondary set of user-definable Analog Outs let you route two analog signals wherever you like. S/PDIF connections round out the package for connection to digital devices, and the Revolution 14x16 is readily expandable with an additional 8-in and 8-out over ADAT. (We recommend the Revolution EXP for this.)

Versatile monitoring and metering.
Revolution 14x16’s three crystal-clear, plenty-loud headphone amps let you and your collaborators produce music without worrying about feedback from your mains. Use the intuitive Mix Edit feature to quickly create a dedicated low-latency headphone mix from both hardware inputs and software playback.

Revolution 14x16’s bright, eight-stage metering can be set to monitor Channel input levels, output levels, or even the input levels of the rear-mounted Channel Inserts. The main Monitor and Headphone Outputs are mono-summable.

Shocking clocking.
Rest assured that your connected devices will run in perfect sync with the Revolution 14x16 thanks to patented Macro-MMC clocking. Macro-MMC was developed from our experience creating dedicated word clocks, as well as modifying many embedded clocks found in other recording interfaces. You’ll get the best possible performance from its converters, and anything you connect via the BNC connections will benefit from maximum sync and ultra-low jitter; minimizing the phase distortions that can muddy your high-end and dull your transients.

If you’ve already invested in a clock you like, that’s fine — the Revolution 14x16 graciously accepts clock in.

Spared no expense.
We’ve put everything we’ve learned about interfaces from years of boutique modding into the Revolution 14x16 — as we like to say, it’s modded out of the box — for crystal-clear audio that will move you and your fans. PG-i filtering technology and highly-filtered power rails work with full-circuit power decoupling to further reduce noise contamination. And for the best possible capture and playback, Revolution 14x16 sports over two dozen high-end, hard-to-get Vishay, Wima, and Nichicon capacitors and thin film resistors. (A component-sourcing nightmare but an audiophile’s dream!) All internal gain-staging is optimized for the best signal-to-noise ratio. Last but not least, all analog I/O is fully decoupled and balanced — right to the very core of the converter — for even further noise reduction.

All the software tools you need, included.
The Revolution Software Suite covers all of your software needs so you can start creating from day one. You’ll record straight into the award-winning Studio Pro, of course… and we’ve also included a ton of other valuable software:
• Fender Studio Pro 8: (90 days) Recording and music production DAW
• Sonarworks SoundID Reference for Headphones: (90 days) Headphone calibration software
• Audified GK Amplification 3 LE: Bass amp modeler of legendary Gallien-Krueger amps and cabs
• Audified Mixchecker: Mix checking plug-in with playback device emulations
• Psychic Modulation EchoMelt3: BPM-based modulation and echo

Mic Input:
Auteur preamps (Channels 1 & 2)
• Input Impedance: 6.1 kΩ
• maximum input level @ gain min: +6.487 dBu
• maximum input level @ gain max: -53.513 dBu
• Frequency Response: frequency response 20hz to 20kHz @gain min (input level -1 dBFS): +/-0.052dB
• Frequency Response: frequency response 20hz to 20kHz @gain max (input level -1 dBFS): +/-0.143dB
• THD + N @ 1 kHz @ gain min (bandwidth 20hz-20kHz, un-weighted, (input level -1 dBFS): 0023653%
• SNR @ 1 kHz @ gain min (bandwidth 20hz-20kHz, A-weighted, (input level 0 dBFS ): 111.263dB
• Dynamic Range @ gain min (bandwidth 20hz-20kHz, A-weighted -level 0 dBFS): 106.998 dB
• Crosstalk: -90.991 dB

Revolution preamps (Channels 3 & 4):
• Input Impedance: 2.08 kΩ
• maximum input level @ gain min: +8.116 dBu
• maximum input level @ gain max: -46.54 dBu
• Frequency Response: frequency response 20hz to 20kHz @gain min (input level -1 dBFS): +/-0.021 dB
• Frequency Response: frequency response 20hz to 20kHz @gain max (input level -1 dBFS): +/-0.022 dB
• THD + N @ 1 kHz @ gain min (bandwidth 20hz-20kHz, un-weighted, (input level -1 dBFS): 0.0010273%
• SNR @ 1 kHz @ gain min (bandwidth 20hz-20kHz, A-weighted, (input level 0 dBFS ): 107.975 dB
• Dynamic Range @ gain min (bandwidth 20hz-20kHz, A-weighted -level 0 dBFS): 111.010 dB
• Crosstalk: -90.991 dB

Line Input:
• Input Impedance: 20 kΩ
• Maximum Input (maximum input level @ gain min): +16.2 dBu
• Frequency Response: +/-0.025 dB
• THD + N: 0.00187%
• Dynamic Range: 111.412 dB
• Crosstalk: -117.026 dB
• Line Outputs: Main Outputs
• Output Impedance: 47 Ω
• Max Output Level: +16 dBu
• Frequency Response: +/-0.095 dBu
• THD+N: 0.00081%
• Dynamic Range: 109.225 dB

Outputs 3 & 4:
• Output Impedance: 200 Ω
• Max Output Level: +16 dBu
• Frequency Response: +/-0.095 dBu
• THD+N: 0.00081%
• Dynamic Range: 109.225 dB

Instrument Input:
• Input Impedance: 1 MΩ
• Gain Range: 59.2415
• Frequency Response: +/-0.051 dB
• THD + N: 0.00491%
• Dynamic Range: 106.135 dB
• Crosstalk: -98.017 dB

Headphone Outputs:
• Output Impedance: 20 Ω
• Maximum Signal Output: 2.652 Vrms
• Frequency Response: +/-0.116 dB