Designed for — but by no means limited to — guitar and vocals, the SR-5 proves itself at home on virtually any source you put in front of it. Its versatility isn’t accidental. At the heart of the SR-5 is the same proprietary toroidal transformer found in the SR-1A and SR-2N — delivering exceptional headroom, dimensional low end, and a harmonically rich, authoritative output that feels larger than life.
Place it close to a guitar amplifier and you’re rewarded with that unmistakable classic ribbon tone: thick, three-dimensional mids, controlled low-end punch, and a smooth top that never turns brittle — even under aggressive gain. It captures the body of the cabinet, the texture of the speaker, and the attitude of the performance without harshness or hype.
Move it to vocals and the SR-5 offers intimacy and control. The hyper-cardioid design brings focus and separation, while the ribbon motor delivers natural warmth and detail without sibilant edge.
Over a drum kit, the SR-5 becomes something else entirely. As a mono overhead or kit mic, it captures glue, weight, and unmistakable vibe. Cymbals remain smooth and integrated rather than splashy. Snare and toms feel grounded and punchy. The room stays controlled but alive.
From close-miked sources to full kit capture, the SR-5 balances authority with nuance — making it less of a “specialty ribbon” and more of a go-to studio workhorse.
• Hyper cardioid polar pattern
• Classic sound stage
• Amps, vocals
• Hyper Cardioid Polar Pattern
• NeoDymium Magnets
• Purely Passive Design
• Toroidal Transformer designed and made by Stager Microphones)
• Yoke Mount
• 0.1” x 1” Ribbon (2.5u thick)
• Weight 20 oz
• Hand made in Music City, USA - Nashville, TN